Meet the Cast - Avenue Q - Kristina Hopkins
What do you find appealing about your
character?
Kate
Monster, for me, is one of those rare characters that I already have so much
love for. One of the reasons I think
Kate is so special is that there is a little bit of Kate Monster in everyone. Old or young, male or female, everyone knows
what it feels like to want to feel loved, or to dream, or to be just a little
bit different. I also love Kate’s
emotional journey through the show. She
differs from other female love interests in that she’s not your typical “I’m in
love and everything’s wonderful” kind of girl.
She’s sassy and knows how to stand up for herself. She can be really strong in challenging
situations, and she’s not some naïve young girl who gets depressed when things
don’t go her way.
I hope we
reach new people with this show, who came in not knowing what to expect and
find upon leaving that they were truly moved.
I hope that people learn something from this show, about themselves,
about life…just something. Avenue Q reaches out to people on a
level that many shows fail to achieve.
People find that they have something in common with all of the
characters. Like Kate, we all want to
find love. Or like Rod, we all struggle
with accepting who we are rather than being what we think other people want to
see. Or even like Trekkie, we all love
something that other people may not understand.
Avenue Q brings these things
out into the open, so that it becomes ok to talk about them, and so that we, as
an audience, may believe that life will go on and everything will eventually be
ok.
How does this show differ from other shows
you have worked on?
Well, the
obvious difference between Avenue Q
and most other musicals is the puppetry.
As actors, we are challenged to bring life into someone who’s made out
of foam and fur and glue, and we have to make that look effortless and
believable. You want the audience to
feel for the puppets as if they are real people. This show is also the most adult in terms of
content that I’ve worked on, and most shows I’ve been in have around 20-25
people, as compared to our cast of 8.
When I was
little, the people who inspired me most were performers. I knew that I had to do that one day; to move
people somehow. I don’t care whether
people laugh or cry, as long as they feel.
I started performing before I can even remember. My dad used to have a band and I’d go with
him at Christmas time and sing Christmas carols at nursing homes. I don’t think I even knew how to form real
words yet, but when you’re two or three, people don’t really care. To this day I still picture the “radiant
beans that form thy holy face” when I sing Silent Night. I did my first play the summer before second
grade. In fifth grade, I had my first
two really big roles: Grace in Annie and
Judas in Godspell, and I told my mom
then, when I was 10 years old, that I was going to be on Broadway one day. I started doing community theatre when I was
in seventh grade. After my freshman year
of high school, I played Pennywise in Urinetown,
which is when my parents realized that I really did have a shot. I started working teen professionally when I
was 15, getting some amazing opportunities with roles like (my other dream
role, besides Kate Monster) Mrs. Lovett in Sweeney
Todd, Paulette in Legally Blonde,
and Fantine in Les Miserables. I made my professional debut when I was
17, understudying Erzulie in Once on This
Island. I’m currently working toward
a B.F.A. in musical theatre from Wright State University, and hope to
eventually move to London and perform in the West End.
How
did you get involved with LTA?
It never
ceases to amaze me how small the theatre world is. I heard about LTA several times before I
auditioned. A friend of mine was in Spelling Bee here. Another friend of mine runs the MD Theatre
Guide, and has reviewed shows here. He
also nominated LTA for the MD Theatre Guide Readers’ Choice Awards last year,
one of which I also won. Avenue Q is one of my all-time favorite
shows, and I’d been watching for auditions since the rights became
available. The first audition call I
found, they asked for you to be at least 18, and I wasn’t yet. I saw another call, but I would have been
away at school during the actual run of the show. Finally I saw LTA’s audition announcement,
and the schedule fit perfectly. With
what I’d already heard about LTA’s reputation of high quality shows, I didn’t
hesitate to audition. I’m very impressed
with how extremely talented and professional everyone is, and how welcome they
made me feel.
What advice would you give others who are
interested in working in theatre?
Being on
stage is the most rewarding experience anyone can ever have. What a lot of people don’t realize is that
it’s also the most difficult. For anyone
who really wants it, go for it, but do so knowing that you’re going to have to
put the work into it. That means finding
good voice and acting and dance teachers to help you, because raw talent alone
isn’t enough. Those performances that
really move and inspire you only occur because a performer took the time to
hone their craft, and then put the work into really understanding their
character. But for anyone who’s willing
to work for it, nothing else could give you greater satisfaction. Even though the path I’ve chosen is extremely
challenging, I know I could never settle for the easier route.
Catch Kristina & her cast mates in Avenue Q at LTA from July 27 - Aug. 17!
Tickets: www.thelittletheatre.com / 703-683-0496
Tickets: www.thelittletheatre.com / 703-683-0496
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