To Kill a Mockingbird - meet cast member Cal Whitehurst
Tell me a little
bit about your character? What single word would you use to describe him?
Horace Gilmer is the
prosecuting attorney from a nearby town who has been assigned to handle the
rape case against Tom Robinson. Ruthless would be the best single word to
describe him
What were some of
the challenges for you in working on this piece?
I like to think of
myself as by nature and by upbringing a polite person and definitely not
somebody who uses ethnic slurs. I have played ruthless, snide and dislikable
characters before and I have always found it a challenge – although ultimately
an enjoyable one – to bring out an aspect of myself I keep suppressed in real life.
What do you hope
the audience experiences/takes away from this show?
I hope we succeed in
immersing the audience in a very specific time and place – the rural Deep South
of the 1930s. And since I imagine that most people in the audience have read
Harper Lee’s novel – and probably seen the movie – I hope we meet their
expectations and bring to life the world and the characters Harper Lee created.
Also, as with the novel and movie, that the audience comes away with an
appreciation of the great progress this country has made in achieving equal and
mutually respectful relations among racial and ethnic groups.
How does this show
differ from other shows you’ve worked on?
It’s the first show
I’ve done that was set in the Depression-era South – and while I have done
other plays adapted from novels, none of them had the widespread impact of To Kill a Mockingbird.
How long have you
been acting and what made you get involved in theatre? How did you get involved with LTA?
I did plays in high
school and college and then, to my regret, didn’t do any theater for about 25
years. Kind of on the spur of the moment, I decided I missed it and wanted to
give it a try. I had been to several LTA shows going back as far as the 1980s.
So in the fall of 1998, I tried out for a murder mystery-comedy set in a
stately English manor – I’ve forgotten the name of the play – and while I did
not get cast, I did get called back, which encouraged me to think I had some
actual talent. The following summer, I tried out for the LTA production of 1776 – and did get a role. So I took
some acting classes and have been at it ever since.
What advice would
you give others who are interested in working in theatre?
Go for it. There are
plenty of community theaters in the area who are desperate for volunteers –
especially in set-building, stage managing, working the light and sound boards,
costuming and set dressing, and front-of-the-house box office staffing and
ushering. Even if you just want to act, you can make contacts and earn a lot of
good will doing volunteer work – and it’s the best way to learn what it really
takes to put on a show. For actors, take classes and audition as often as
possible. And remember, the director is always right!
What have you
learned about yourself in playing the role of Horace Gilmer?
That, apparently, if I
weren’t afraid of being shunned and possibly beaten up on a regular basis, I
could be a real bastard.
Comments
Post a Comment